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Artist Statement
At 8 years old I compared some paintings I had done with pieces that had
been painted by some adults in my family. As expected, my work looked
like an eight year old had painted them and I was embarrassed and crushed.
With a heavy heart I decided that I would never be a painter so I explored
many other mediums including needlepoint, crocheting, woodworking, ceramics
and photography. After high school, I attended Pennsylvania State University
where I majored in art with a focus on photography. I was not happy there
and after one year I transferred to the Art Institute of Philadelphia.
I excelled in their professional environment and graduated with the “Best
Portfolio Award”. I stayed in photography for some years but in
the end decided it was not the career for me. I fell out of the creative
world for many years while I built a cleaning business and after a decade
of scrubbing and vacuuming I ended up having major back surgery. During
my long recuperation, I accepted the reality that I needed a new career.
A change of venue was needed to figure out this major life change so I
went to California where I studied handwriting analysis with Vimala Rodgers,
a published author and noted handwriting expert.
I began my oil painting adventure in the winter of 1999 in Fair Oaks,
CA a suburb of Sacramento. During my daily walks along the American River,
I came across a class of artists drawing and painting on a walk bridge
which traversed the wide, shallow body of water. My breath caught when
I saw the rich and vibrant colors on their canvases, both in oils and
pastels and I asked one gentleman how long he had been painting. He said,
“One year.” My face registered shock and he gave me a knowing
smile and said, “We have all been painting under a year.”
I noticed that they were all my age or older (30 and up) and their work
was beautiful. That childhood dream started whispering to me. I got up
the nerve and signed up for a drawing class at The School of Light and
Color.
When I finished my work with Vimala and became certified in handwriting
analysis, I returned home to Lancaster, PA, where I continued to paint
sporadically for a few years without any sense of a specific style. My
sister Becky and I decided to paint one afternoon and we couldn’t
decide on a subject. She loved painting flowers and I really didn’t
but she insisted we give it a try. After much grumbling, I capitulated
and an idea came to me, “Why not use the palette knife and see what
happens.” It was the breakthrough I was looking for and my style
of thick paint with lots of texture emerged. I love the energy and sense
of movement that I get using a palette knife and I get excited by the
way the colors mix and merge on the canvas. Naturally, my first show was
mostly flowers which I now love to paint but mostly I’m attracted
to all things in nature, especially animals, birds and people.
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